Drawing on interviews with party promoters and participants in Vancouver, our findings show that ephemeral events can have enduring effects. We use queer pop-up events to challenge these dominant arguments about urban sexualities and to advocate instead a 'temporary turn' that analyzes the relationship between ephemeral-ity and placemaking. By narrowing their analytic gaze on such places, which include gayborhoods and bars, scholars use observations about changing public opinions, residential integration, and the closure of nighttime venues to conclude that queer urban and institutional life is in decline. Research on sexuality and space emphasizes geographic and institutional forms that are stable, established, and fixed. Damiens has excavated our archives and offered a colourful tapestry of LGBTQ+ struggles over half a century, probing both the friendship and the activism at their core.’ THOMAS WAUGH, CONCORDIA UNIVERSITY, CANADA

‘An engaging and original history of queer film festivals and an insider critique of festival studies at large. Antoine Damiens is a FRQSC Postdoctoral Fellow within the Department of English and the Institute for Gender, Sexuality, and Feminist Studies at McGill University (Montreal). Drawing on the author’s experience on the festival circuit, this book pays homage to the labour of queer organizers, critics, and scholars and opens up new avenues for festival research. Second, ‘the festival as a method’ pays attention to festivals’ role as producers of knowledge: it argues that festivals are not mere objects of research but also actors already shaping academic, industrial, and popular cinematic knowledge. As the first ‘critique’ of festival studies from within, LGBTQ Film Festivals argues that both festivals and queer film cultures are by definition ephemeral.The book is organized around two concepts: First, ‘critical festival studies’ examines the political project and disciplinary assumptions that structure festival research. In taking seriously minor European and North-American LGBTQ festivals which often only exist as traces within archival collections, this book revisits festival studies’ method- ological and theoretical apparatuses.

While scholars have theorized major film festivals, they have ignored smaller, ephemeral, events.

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